This page is being gradually updated to make it simpler to find, hear and request pieces. Your understanding is appreciated.
Variations (1993-1996-2020 26')
Symphonic texture and complexity. Performed with the aid of unique computer programs created by the composer. This has recently been updated and mixed in the Dolby Atmos format. When I find a way to share that file, I’ll make it available her.
Fantasy Music II for Harpsichord (or Piano) and Computer (1982, 5'43")
Composed for Joyce Lindorff. Computer accompaniment on tape. Private recording available. This piece was revived in January 2006 at the American Acadeny in Rome, with Joyce Lindorff. Since then it has also been used as incidental music in Ellen Maddow's play Panic! Euphoria! Blackout! which ran over October 2010 at the HERE Arts Center in New York.
...Showed that a harpsichord can often mate with electronics better than a piano can -- an attractive, shapely, atmospheric piece - The Boston Globe.
...A piano and some computer-generated sound going at each other in a mocking, histrionic fashion; it wasn't your polite essay in timbral similarities and overlaps. It sounded like a fantasy - The Boston Globe.
Fantasy Music I for Flute and Computer (1981, 5'50")
Composed for MIT Experimental Music Studio and dedicated to Fran Carnes. Recorded on Northeastern Records (LP, NR-220)
...More ingeniously worked than several Synchronisms that come to mind, and it crosses a wider range, from hymn-tune to boogie - The Boston Globe.
...Weaves long, smooth lines around glistening electronic shards, and the mix of texture comes out just right - The Village Voice.
No Longer Available
Intermediae for Marimba, Violin and Electronic Orchestra (1987, 8')
Composed for Marimolin. The original materials are probably not recoverable. Too bad, since it would benefit from an updated orchestra.